I have access to “Friend,” “You Are,” “Anything Is Possible” (complete with a slideshow of Cristiano Ronaldo’s abs), “Easy Come, Easy Go,” and “Liar.” But there is no whole album video of In The Meantime on Youtube in fact, only ten of the twelve tracks exist on Youtube, and only five of those ten tracks are accessible in “my region” of the world. Which is great two out of three is great. So Spotify only has The Legendary Christine Perfect Album and Christine McVie.
And since I usually listen to each album at least three or four times before I write a review of it, this process can be difficult.
Hold me fleetwood mac guitar solo full#
If I can’t find the full album, I search each song individually and listen to them in order (I never download music illegally, so Spotify and Youtube are my best friends). If the album isn’t on Spotify, then I will search Youtube for the full album. Usually, if I don’t already own the album, I will listen to it on Spotify. The third album, In The Meantime, came out in 2004 (which is the first Mac Attack album so far that was released after my birth!). In fact, Christine McVie’s musical career spanned five decades, and she has only released three solo albums. You can also hear the influence of the other members of Fleetwood Mac on this album crouching underneath the bouncing piano pop melodies Lindsay Buckingham’s wild guitar finds its way into “So Excited” and “Got A Hold On Me,” and you can hear his voice in the background of three other tracks.Īll in all, Christine McVie is a fantastic and fun album that, like the rest of Christine’s solo career, seems to have been swallowed up by the fame of Fleetwood Mac. After writing so many hits for Fleetwood Mac, Christine’s solo performance on this album showcases her strength as a musician on her own. The album starts out with this incredibly positive, optimistic burst in “Love Will Show Us How” and then powers through nine more soft pop tracks that delve into the heart of what it means to love. Christine McVie came out in 1984, in between Fleetwood Mac albums Mirage (1982) and Tango in the Night (1987). McVie released her second solo album, also self-titled.Ĭhristine McVie is a smoother, sexier album than Christine Perfect, which stands to reason, after a fourteen year gap in solo projects. McVie’s music.įourteen years after the original release of Christine Perfect, C. I’m definitely unsure that Stevie Nicks’ songs would have been able to fit in without the sound of C. Without the specific sound of The Legendary Christine Perfect Album, I’m not so sure Fleetwood Mac would have been able to transition from blues rock to pop rock. Christine McVie nee Perfect is a driving musical force that bridges the sound gap from “Black Magic Woman” (released to promote 1969 compilation albums English Rose and The Pious Bird of Good Omen) to “Rhiannon” (released on 1975 Fleetwood Mac). This album, for me, solidifies my reasoning by labeling post-1975 Mac as Fleetwood Mac C. But it also delves into a different sound, something a little warpy and fun (check “Let Me Go”) that I think is perfected in “You Make Loving Fun” ( Rumours, 1977). It’s all over this album, which is largely covers and only includes five original songs. And she loved the Peter Green Fleetwood Mac sound.
What I love about this album is how much you can see a bridge in sound from Fleetwood Mac P to Fleetwood Mac C (in case you’ve forgotten, Mac P is Peter Green era, and Mac C is post-1975 Christine + Buckingham/Nicks era). And it retained all of its awesomeness, perhaps giving listeners an extra nugget to enjoy in between the release of Fleetwood Mac (1975) and Rumours (1977). The album was re-released in 1976 as The Legendary Christine Perfect Album by Christine McVie. Cover of the 1976 reissue, The Legendary Christine Perfect AlbumĬhristine Perfect came out in 1970 and kind of hung around being awesome as Fleetwood Mac got more and more famous.
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